@article{ГорбачевСкИй_2019, title={Поэтический и образный строй стихотворения Е.Л. Владимировой «Я всего лишь тюремный поэт...»}, volume={1}, url={https://czasopisma.uwm.edu.pl/index.php/an/article/view/4360}, DOI={10.31648/an.4360}, abstractNote={<p><span style="left: 125.854px; top: 553.132px; font-size: 15px; font-family: serif; transform: scaleX(1.058);">This article analyzes one of the poems written by the Russian poetess Elena Vladimirova. </span><span style="left: 99.214px; top: 571.132px; font-size: 15px; font-family: serif; transform: scaleX(1.26424);">The author protests against prisons and hard forced camps systems established </span><span style="left: 99.214px; top: 589.132px; font-size: 15px; font-family: serif; transform: scaleX(1.27008);">by Joseph Stalin, in which Elena Vladimirova spent more than eighteen years. </span><span style="left: 99.214px; top: 607.132px; font-size: 15px; font-family: serif; transform: scaleX(1.10509);">We focus on such features of the poem as a poetic and figurative system and images-sym-</span><span style="left: 99.214px; top: 625.132px; font-size: 15px; font-family: serif; transform: scaleX(1.14041);">bols, time and space, and two main “points of view”: “the supervisor’s estate” and “the </span><span style="left: 99.214px; top: 643.132px; font-size: 15px; font-family: serif; transform: scaleX(1.15828);">slave’s estate”. The conclusions of the analyzed poem may initially seem unexpected: </span><span style="left: 99.214px; top: 661.132px; font-size: 15px; font-family: serif; transform: scaleX(1.15264);">the boundaries between freedom and imprisonment are very unstable and subtle in the </span><span style="left: 99.214px; top: 679.132px; font-size: 15px; font-family: serif; transform: scaleX(1.22922);">totalitarian state.</span></p>}, number={XXI}, journal={Acta Neophilologica}, author={ГорбачевСкИй, чеСлав антоновИч}, year={2019}, month={cze.}, pages={53–57} }