@article{Павелева_2019, title={Воспоминания, ставшие памятью: композиционная специфика рассказа И.А. Бунина Поздний час}, volume={4}, url={https://czasopisma.uwm.edu.pl/index.php/apr/article/view/4874}, DOI={10.31648/apr.4874}, abstractNote={<p><span style="left: 131.178px; top: 694.508px; font-size: 15px; font-family: serif; transform: scaleX(1.01783);">The theme of Russia occupies a special place in the works of Ivan Bunin. He turns to Russia </span><span style="left: 99.213px; top: 712.508px; font-size: 15px; font-family: serif; transform: scaleX(0.995687);">throughout his literary activity. In exile, his forsaken homeland becomes a source of special </span><span style="left: 99.213px; top: 730.508px; font-size: 15px; font-family: serif; transform: scaleX(1.01803);">inspiration for the author, and a main subject for the book of his stories </span><span style="left: 537.198px; top: 730.508px; font-size: 15px; font-family: serif; transform: scaleX(0.981809);">Dark Alleys</span><span style="left: 608.748px; top: 730.508px; font-size: 15px; font-family: serif; transform: scaleX(1.0201);">, where Bunin </span><span style="left: 99.213px; top: 748.508px; font-size: 15px; font-family: serif; transform: scaleX(0.977923);">included his </span><span style="left: 174.155px; top: 748.508px; font-size: 15px; font-family: serif; transform: scaleX(1.00012);">Late Hour</span><span style="left: 235.379px; top: 748.508px; font-size: 15px; font-family: serif; transform: scaleX(0.970903);">. In this short story, the author recalls lost places in his native land. The motive </span><span style="left: 99.213px; top: 766.508px; font-size: 15px; font-family: serif; transform: scaleX(1.01161);">of the journey is plot-forming and connects two layers, which interact in the narrative: the journey </span><span style="left: 99.213px; top: 784.508px; font-size: 15px; font-family: serif; transform: scaleX(1.00049);">that happened in the real past, and an imaginary journey. Bunin describes this imaginary journey as </span><span style="left: 99.213px; top: 802.508px; font-size: 15px; font-family: serif; transform: scaleX(1.01094);">if it is happening in reality. The routes of these two journeys include new loci as Suez Canal, Nile, </span><span style="left: 99.213px; top: 820.508px; font-size: 15px; font-family: serif; transform: scaleX(1.02588);">Paris..., which indicates the importance of the idea of geo-poetics for the author. Recollections in </span><span style="left: 99.213px; top: 838.508px; font-size: 15px; font-family: serif; transform: scaleX(0.996291);">Bunin’s story </span><span style="left: 183.068px; top: 838.508px; font-size: 15px; font-family: serif; transform: scaleX(1.01156);">Late Hour</span><span style="left: 244.992px; top: 838.508px; font-size: 15px; font-family: serif; transform: scaleX(0.995597);"> come up to the Memory, which tramples death. It proves the resurrectional </span><span style="left: 99.213px; top: 856.508px; font-size: 15px; font-family: serif; transform: scaleX(1.00006);">power of art.</span></p>}, number={XXIV}, journal={Acta Polono-Ruthenica}, author={Павелева, Юлия}, year={2019}, month={grudz.}, pages={77–84} }