UNFINISHED SENTENCE: ON THE COMPOSITION OF WHAT IS THE WORLD

Tomasz Wiśniewski

Katedra Filologii Angielskiej Uniwersytet Warmińsko-Mazurski w Olsztynie



Abstrakt

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Samuel Beckett, Stirrings Still, London, John Calder Publishers 1999.

Antoni Libera, Ostatnie słowo Becketta, in: Teatr 1996, 6, p.18.

Ralf Breuer, Paradox in Beckett in: The Modern Language Review 1993, 3, pp. 559-580.

James Knowlson and Dougald McMillan [eds], The Theatrical Notebooks of Samuel Beckett, London, Calder 1993.

Wiśniewski Tomasz, Theatrical Conventions and Endgame by Samuel Beckett, in: Andrzej Zgorzelski [ed.], Conventions and Texts, Gdańsk 2003, Wydawnictwo UG, pp. 140-159.

Mary Lindon, Beyond the Criterion of Genre: Samuel Beckett’s Ars Poetica, in: Samuel Beckett Today /Aujourd’hui, 1999, 8, pp. 59-72.

Marek Kędzierski, Samuel Beckett, Warszawa, Wiedza Powszechna 1990, pp. 185-214.

James Acheson, Murphy’s Metaphysics, in: the Beckett Studies Reader, S. E. Gontarski [ed.], Gainesville, University Press of Florida 1993, pp. 78-93.

George Steiner, What is Comparative Literature?, in: George Steiner, No Passion Spent: Essays 1978-1995, Yale: Yale UP & London: Faber & Faber, 1996.

James Knowlson, Damned to Fame, London, Bloomsbury 1996, p. 700.

Opublikowane
2004-12-01

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Wiśniewski, T. (2004). UNFINISHED SENTENCE: ON THE COMPOSITION OF WHAT IS THE WORLD. Acta Neophilologica, (VI), 39–47. Pobrano z https://czasopisma.uwm.edu.pl/index.php/an/article/view/1449

Tomasz Wiśniewski 
Katedra Filologii Angielskiej Uniwersytet Warmińsko-Mazurski w Olsztynie