“My iPhone Has a Virus Called U2, How Do I Uninstall It?”: Controversies Surrounding the Digital Release of U2’s Songs of Innocence
Szymon Pietrzykowski
Instytut Historii Uniwersytet im. Adama Mickiewicza w Poznaniumgr, absolwent Wydziału Historycznego Uniwersytetu im. Adama Mickiewicza w Poznaniu, doktorant w Zakładzie Historii Powszechnej XIX i XX w. Instytutu Historii UAM. Obszar zainteresowań to: historia powszechna po 1945 r., Holocaust Studies, dwudziestowieczne reżimy autorytarne i totalitaryzmy, intelektualiści a polityka, popkultura, historia Islamskiej Republiki Iranu. Stypendysta Fundacji Uniwersytetu im. Adama Mickiewicza w Poznaniu na rok akademicki 2016/2017.
Abstract
Controversies surrounding the digital release of U2’s 13th studio record Songs of Innocence, reported extensively in this article, also served as an excuse to (i.e.) disclose the phenomenon of the Irish group or conduct more general reflections concerning the condition of modern-day music industry and attitudes towards pop culture, which are completely different among the so-called Millennials and Baby Boomers, U2 followers and supporters of other bands. However, thanks to a contract between U2 and Apple, this album reached a record number of 500 million people, but the form of its release (it was automatically added to iTunes users’ personal libraries) caused critical backlash and even hatred.
Keywords:
U2, Songs of Innocence, Apple, popular culture, digital distribution, haters/admirersReferences
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Whitney L., Apple’s Free U2 Album Perplexes, Annoys Some, [online] <https://www.cnet.com/news/apples-free-u2-album-perplexes-and-annoys-some-users/>, dostęp: 30.12.2016.
Who is U2?, [online] <http://www.whoisu2.com/>, dostęp: 30.12.2016.
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Young A., “Who Is U2?” Inquiring Twitter Users Want to Know, [online] <http://consequenceofsound.net/2014/09/who-is-u2-inquiring-twitter-users-want-to-know/>, dostęp: 30.12.2016.
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Pietrzykowski, S. (2019). “My iPhone Has a Virus Called U2, How Do I Uninstall It?”: Controversies Surrounding the Digital Release of U2’s Songs of Innocence. Media - Culture - Social Communication, 1(13), 103–120. https://doi.org/10.31648/mkks.2990
Szymon Pietrzykowski
Instytut Historii Uniwersytet im. Adama Mickiewicza w Poznaniu
<p>mgr, absolwent Wydziału Historycznego Uniwersytetu im. Adama Mickiewicza w Poznaniu, doktorant w Zakładzie Historii Powszechnej XIX i XX w. Instytutu Historii UAM. Obszar zainteresowań to: historia powszechna po 1945 r., Holocaust Studies, dwudziestowieczne reżimy autorytarne i totalitaryzmy, intelektualiści a polityka, popkultura, historia Islamskiej Republiki Iranu. Stypendysta Fundacji Uniwersytetu im. Adama Mickiewicza w Poznaniu na rok akademicki 2016/2017.</p> Poland
Instytut Historii Uniwersytet im. Adama Mickiewicza w Poznaniu
<p>mgr, absolwent Wydziału Historycznego Uniwersytetu im. Adama Mickiewicza w Poznaniu, doktorant w Zakładzie Historii Powszechnej XIX i XX w. Instytutu Historii UAM. Obszar zainteresowań to: historia powszechna po 1945 r., Holocaust Studies, dwudziestowieczne reżimy autorytarne i totalitaryzmy, intelektualiści a polityka, popkultura, historia Islamskiej Republiki Iranu. Stypendysta Fundacji Uniwersytetu im. Adama Mickiewicza w Poznaniu na rok akademicki 2016/2017.</p> Poland
mgr, absolwent Wydziału Historycznego Uniwersytetu im. Adama Mickiewicza w Poznaniu, doktorant w Zakładzie Historii Powszechnej XIX i XX w. Instytutu Historii UAM. Obszar zainteresowań to: historia powszechna po 1945 r., Holocaust Studies, dwudziestowieczne reżimy autorytarne i totalitaryzmy, intelektualiści a polityka, popkultura, historia Islamskiej Republiki Iranu. Stypendysta Fundacji Uniwersytetu im. Adama Mickiewicza w Poznaniu na rok akademicki 2016/2017.
