The Narrative Schemata in Virginia Woolf’s Mrs Dalloway
Katarzyna Szeremeta-Kołodzińska
Katedra Filologii Angielskiej Uniwersytet Warmińsko-Mazurski w OlsztynieAbstract
In Virginia Woolf’s ample literary oeuvre the 1925 Mrs Dalloway continues to invite
most interest among literary scholars. This article closely examines Woolfian narrative strategies
and schemata that pertain to the image of Clarissa Dalloway, the novel’s eponymous
character. The subject of analysis is the relation between Clarissa and Peter Walsh (former
suitor and confidant) which shapes this portrait. Although he belongs to Clarissa’s “entourage”
(Woolf called upon a group of other characters in protagonists’ support), his role as the
main observer is most pronounced in the novel. Peter Walsh, who acts as a “reflector” −
narrator’s agency − helps to reconstruct for the reader otherwise fragmented and elusive image
of Clarissa. His contribution is realised by means of narrative functions he fulfils: legitimising
her accounts, accompanying her (as a construct of protagonist’s imagination though)
in London strolls and mediating between the realm of imagery and empirical world.
Keywords:
Mrs Dalloway, narrative schemata, reflector(s), Virginia WoolfReferences
– London, Yale University Press.
Woolf, V. (1961). Pani Dalloway. Tłum. K. Tarnowska. Warszawa, PIW.
Woolf, V. (2012). Nawiedzony dom. Opowiadania zebrane. Tłum. M. Heydel. Kraków, Wydawnictwo
Literackie.
Katedra Filologii Angielskiej Uniwersytet Warmińsko-Mazurski w Olsztynie
Similar Articles
- Sławomir Studniarz, LOST IN THE TEXTUAL MAZE? CONCEALMENTS AND DOUBLINGS IN PETER STRAUB’S MR. X , Acta Neophilologica: No. XII (2010): Acta Neophilologica
- Wilfreid Emmanuel Koung A Sanama, Representations of Women in Francophone African Literature – Experiences of Exclusion and Self-Assertion of Black African Female Characters in French-Language Texts "Le Ventre de l’Atlantique" and "Celles qui attendent" by Fatou Diome , Acta Neophilologica: Vol. 1 No. XXVIII (2026): Acta Neophilologica
- Simge Yilmaz, The Overlooked Pioneers: Postmigrant Perspectives on Female Guest Workers in Gün Tank’s Novel Die Optimistinnen , Acta Neophilologica: Vol. 1 No. XXVII (2025): Acta Neophilologica
- Agnieszka Goral, In-text Language Games in the Novel Pleasant things. Utopia by Tamara Bołdak-Janowska , Acta Neophilologica: Vol. 1 No. XXIII (2021): Acta Neophilologica
- Dagmara Kottke, From the Property of Being to the Aesthetic Object: the Study of Beauty in "Gottfried Künstler: A Mediæval Story" by Vita Sackville-West , Acta Neophilologica: Vol. 1 No. XXIII (2021): Acta Neophilologica
- Grzegorz Ojcewicz, MARINA TSVETAEVA’S MUSICAL AND SYNAESTHETIC SPACE IN MY MOTHER AND MUSIC, HER AUTOBIOGRAPHICAL ESSAY , Acta Neophilologica: Vol. 1 No. XXII (2020): Acta Neophilologica
- Joanna Bednarska-Kociołek, Opis procesu indywiduacji narratora na przykładzie "Śmierci w bunkrze" Martina Pollacka , Acta Neophilologica: Vol. 2 No. XXIII (2021): Acta Neophilologica
- André Steiner, Starting from the Middle – Literary Narration as Embodied Activity in Ulrich Peltzers Novel "Alle oder keiner" , Acta Neophilologica: Vol. 1 No. XXV (2023): Acta Neophilologica
- Anna Kwiatkowska, THE REFLECTION OF HIGH RENAISSANCE AND MANNERISM OF THE WORKS OF MICHELANGELO BUONARROTI IN THE INTERPRETATION OF IRVING STONE IN HIS LAST BIOGRAPHICAL NOVEL THE AGONY AND THE ECSTASY , Acta Neophilologica: Vol. 2 No. XV (2013): Acta Neophilologica
- Monika Sidor, RUSSIA AND “THE REST OF THE WORLD”: ALEXANDER SOLZHENITSYN’S “THE MODEL READING” AND THE POSSIBILITY OF A UNIVERSAL RECEPTION OF THE RED WHEEL , Acta Neophilologica: Vol. 2 No. XIX (2017): Acta Neophilologica
You may also start an advanced similarity search for this article.