Sources
Beckett Samuel (1979), The Beckett Trilogy (Molloy, Malone Dies, The Unnamable), London.
Beckett Samuel (1982), Ill Seen Ill Said, London.
Beckett Samuel (1983), Disjecta, London.
Beckett Samuel (1983), Worstward Ho, London.
Beckett Samuel (1984), Collected Shorter Prose 1945−198, London.
Beckett Samuel (1989), N OHOW O N ( Company, I ll S een I ll S aid & Worstward H o), London.
Beckett Samuel (1990), The Complete Dramatic Works, London.
References
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Cohn Ruby (1962), The Comic Gamut, New Brunswick, New Jersey.
Culik Hugh (2008), Raining & Midnight: The Limits of Representation, “The Journal of Beckett Studies”, Vol. 17: 127–152.
Dearlove Judith E. (1985), Allusion to Archetype, “The Journal of Beckett studies”, No. 10: 121–2.
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Hale Jane Alison (1988), Perspectives in Rockaby, in: ‘Make Sense Who May’: Essays on Samuel Beckett’s Later Works, Buckinghamshire: 66–76.
Heidegger Martin (1962), Die Frage nach dem Ding: zu Kants Lehre von den transzendentalen Grundsätzen, Tübingen.
Krance Charles (1990), Worstward Ho & On-Words: Writing to (Wards) the Point, in: Rethinking Beckett, London: 124–40.
Levy Eric P. (1980), Beckett & The Voice of Species: A Study of the Prose Fiction, London.
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