Samuel Beckett and the Death of Representation: Rockaby, Ill Seen Ill Said and Worstward Ho

Edward Colerick

doi:10.31648/10.31648/pl.5663

Opublikowane: 2020-12-011

Nr 8 (2020)

Samuel Beckett i śmierć reprezentacji: Rockaby, Ill Seen Ill Said i Worstward Ho

Edward Colerick

Prace Literaturoznawcze

Dział: Casus twórcy

https://doi.org/10.31648/10.31648/pl.5663

Abstrakt

The article explores not only the link between Samuel Beckett’s final two novellas and the late drama but also seeks to demonstrate the author’s intent on stripping away the symbolism and imagery within his work in order to expose a life lived through the prism of representation; and, finally, to use his art to suggest something of the ‘real’ beneath the representational world. In this way the article demonstrates that the apotheosis of Beckett’s entire oeuvre is to reduce his narrative and dramas to a single work which finds its most comprehensive embodiment in his final novella: Worstward Ho.

Inne teksty tego samego autora

Edward Colerick, The Will to Live: a Study of Samuel Beckett’s Molloy , Prace Literaturoznawcze: Nr 9 (2021)

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Zasady cytowania

Colerick, E. (2020). Samuel Beckett i śmierć reprezentacji: Rockaby, Ill Seen Ill Said i Worstward Ho. Prace Literaturoznawcze, (8), 161–172. https://doi.org/10.31648/10.31648/pl.5663

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Bibliografia

Sources
Beckett Samuel (1979), The Beckett Trilogy (Molloy, Malone Dies, The Unnamable), London.
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Beckett Samuel (1983), Disjecta, London.
Beckett Samuel (1983), Worstward Ho, London.
Beckett Samuel (1984), Collected Shorter Prose 1945−198, London.
Beckett Samuel (1989), N OHOW O N ( Company, I ll S een I ll S aid & Worstward H o), London.
Beckett Samuel (1990), The Complete Dramatic Works, London.
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