https://doi.org/10.31648/mkks.3027
The aim of the author of this article is to analyse the topic of the appearance of independent artists on the Internet, and the related emergence of new forms of communication between the viewers and the creators. As a case study of this article, Japanese experimental filmmakers were chosen, because it can be observed that they are the world leaders in adapting a new medium to their needs. In the first part of this article, the author describes communication between the fans of the experimental films, who share data, not only to gain profit, but also to make unique statements about the codes they choose to adapt. The second part of this article is a study of the way the artists communicate with their followers by popularizing their niche audiovisual art.
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