The essay deals with the human and artistic parable of the Russian composer who never put
art at the service of the State. An ideologically coherent path, in which music becomes a means
of spiritual regaining unity in the multiple: a coniunctio oppositorum of human and divine, earthly
and sacred, which represents the figure of its international and cosmopolitan style and its poetic,
strongly impregnated of recurring symbologies. In Sofija Gubajdulina human experience merges
with artistic expression and flows into an active and constant commitment to the defense of those
universal values that give an ethical, as well as educational, connotation to all of her musical
production.
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Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.