p POZA GRANICE PERCEPCJI: „MEMORY SURFACES AND MENTAL PRAYERS” BILLA VIOLI

Andrzej PITRUS

doi:10.31648/cetl.1822

Publicado: 2014-03-271

Vol. 1 Núm. 1 (2014)

p POZA GRANICE PERCEPCJI: „MEMORY SURFACES AND MENTAL PRAYERS” BILLA VIOLI

Andrzej PITRUS

Civitas et Lex

Sección: Comunicación Social y Ciencias de los Medios

https://doi.org/10.31648/cetl.1822

Resumen

Andrzej Pitrus analyzes and interprets Bill Viola’s tape „Memory Surfaces and Mental Prayers”
(1977). The cycle was created as one of the earlier works by Viola, and deals with the issue of
perception. The artist also refers to his fascination with cultures, philosophy, and religions of the
East. All three pieces included in the tape are discussed: „The Wheel of Becoming”, „The Morning
After the Night of Power” and „Sweet Light”. Each of them uses different techniques and creative
strategies to explore the medium, which was a relatively new artistic tool in the second part of the
seventies. Bill Viola’s work seems to be quite unique as it combines explorations of technology with
musings about the very nature of human perception. The artist is quite convinced that a human
being is not able to see the world as it really is. His perception is limited both by his own senses,
and technologies he creates and uses.

Descargar archivos

PDF (Język Polski)

Normas de citación

PITRUS, A. (2014). p POZA GRANICE PERCEPCJI: „MEMORY SURFACES AND MENTAL PRAYERS” BILLA VIOLI. Civitas Et Lex, 1(1). https://doi.org/10.31648/cetl.1822

##plugins.themes.libcom.share##

Citas

Video Data Bank: http://www.vdb.org/titles/sweet-light.
Google Scholar

Google Scholar

G. Youngblood, Metaphysical Structuralism: The Videotapes of Bill Viola, „Millennium Film Journal” 1988−1989, no. 20/21 (fall/winter), pp. 80−114. Tekst pierwotnie ukazał się jako komentarz do wydania płyty laser disc: Bill Viola: Selected Works, Los Angeles 1987.
Google Scholar

Google Scholar

S. Brakhage, Metaphors on Vision, New York 1963. Polski przekład za katalogiem Stan Brakhage, wydanym z okazji przeglądu filmów artysty zorganizowanego przez Kino.Lab CSW Zamek Ujazdowski w Warszawie (2003). Przeł. D. Szczęsna, s. 2.
Google Scholar

Google Scholar

Dalai Lama, The Meaning of Life. Buddhist Perspectives on Cause and Effect, transl. and ed. by J. Hopkins, Boston 1992, s. 43.
Google Scholar

Google Scholar

J. Powers, Wprowadzenie do buddyzmu tybetańskiego, przeł. J. Janiszewska, Kraków 1999.
Google Scholar