СПОСОБЫ АВТОРСКОЙ САМОПРЕЗЕНТАЦИИ В РУССКОЙ РОК-ПОЭЗИИ

Ольга Гамали

Кафедра русской филологии и зарубежной литературы Криворожский национальный университет

Ольга Каневская

Кафедра русской филологии и зарубежной литературы Криворожский национальный университет

Abstract

This article considers various ways of the author’s self-presentation in Russian rock poetry
(Y. Dyagileva, A. Makarevich, V. Tsoi, Y. Shevchuk). The predominance of the “I–I” subject pattern
is revealed. It is used to express the maximum egocentrism, whereas the directive syntactical units
impose the author’s opinion on the recipient. The author’s “I” not only conveys the author’s stand
but forms the notion of reality. The “I–I” pattern can be altered into the “I–WE” pattern (V. Tsoi).
The indirect self-presentation (the “I–YOU”, “I–HE”/ “WE–THEY” patterns) appears as well.

Schlagworte:

Russian rock poetry, implied author, self-presentation patterns, self-presentation means.