My aim is to discuss Nazi interpretations of Nietzsche’s thought as well as those of Lukacs, who accused him of proto-fascism. Then I describe the well-known interpretations from the Forties and Fifties, which defended Nietzsche, although they pointed out certain ambiguities in his thought. At the end, I present my position, where I demonstrate the ground-lessness of accusations directed at Nietzsche, whose utopian project was based on an elitist idea of cultural activity.
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