The hero of the new sincerity era: an attempt of cultural, psychological and literary analysis of Evgeny Grishkovets’s monodramas
Svetlana Taratuta
Tat’yana Mel’nik
Abstract
The paper presents a study of the nature of the experiencing expression in monodramas by E. Grishkovets. This analysis is based on the idea of the human consciousness layering and the hierarchical principle of the organization of “mental spaces” in it, which was considered by F. E. Vasilyuk in relation to experiencing and its expression. The ideas about the work of experiencing as a movement between different life worlds, which are reflected in the monodramas by Grishkovets, are studied in the paper as a feature of the writer’s idiostyle. The narrator of the one-man theatrical shows is considered as a literary hero of the “New Sincerity” era, which replaced the period of postmodern literature. The article traces the features of the experiencing expression in the monodramas by Grishkovets, the associative nature of the author’s consciousness slipping into other life worlds, and the ways of creating (virtualizing) these life worlds.
Keywords:
new sincerity, experiencing, monodrama, theory of the hierarchical structure of consciousness, life world, slipping, empathy, virtualization of life worldsReferences
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