Заметки о дискурсивной иерархизации в Пиковой даме: лирические стратегии в прозе
Gennadij Zeldowicz
Warsaw UniversityAbstrakt
The paper is focused on certain fore- and backgrounding strategies adopted in The Queen of Spades by Alexander Pushkin. It is claimed that in several instances culmination points of the plotline are marked by means generally alien to artistic prose, but very typical of foregrounded fragments in lyrical poetry, and in one instance for backgrounding a device is employed that is usually exploited for this goal in lyrical texts. A suggestion is made as to what is the deeper sense of this discourse strategy. It may be explained by the fact that while special means for marking culmination points in narrative prose are optional, markers of foreground in lyrical poetry are practically necessary. The author proposes that this might be a hidden and yet unstudied aspect of the famous brevity proper to The Queen of Spades.
Słowa kluczowe:
Alexander Pushkin, The Queen of Spades, foregrounding, backgrounding, lirycal poetryBibliografia
Asher, N. | Lascarides, A. (2003), Logics of Conversation. Cambridge. Google Scholar
Firbas, J. (1971), On the concept of communicative dynamism in the theory of functional sentence perspective, [in:] Sborník prací Filozofické fakulty brněnské university 20 (A19), 135-144. Google Scholar
Fleischman, S. (1990), Tense and Narrativity: From Medieval Performance to Modern Fiction. Austin. Google Scholar
Gofman, M. (1922), “Kleopatra” и “Yegipetskiye nochi”. Neosushchestvlennyy zamysel Pushkina, [in:] Sovremennye zapiski XIII, 169-190. [Гофман, М. (1922), «Клеопатра» и «Египетские ночи». Неосуществленный замысел Пушкина, [in:] Современные записки XIII, 169-190.] Google Scholar
Grice H. (1975), Logic and conversation, [in:] Cole P. | Morgan, J. (eds.), Syntax and Semantics. Vol. 3: Speech Acts. New York, 41-58.
Crossref
Google Scholar
Hopper, P. | Thompson, S. (1980), Transitivity in grammar and discourse, [in:] Language 56 (2), 251-299.
Crossref
Google Scholar
Lambrecht, K. (2000), When subjects behave like objects, [in:] Studies in Language 24 (3), 611-682.
Crossref
Google Scholar
Longacre, R. (1983), The Grammar of Discourse. New York. Google Scholar
Mil’don, V. (1992), Beskonechnost’ mgnoveniya. Moskva. [Мильдон, В. (1992), Бесконечность мгновения. Москва.]214 Google Scholar
Pushkin, A. (1995), Polnoye sobraniye sochineniy, t. 8. Moskva. [Пушкин, А. (1995), Полное собрание сочинений, т. 8. Москва.] Google Scholar
Silant’ev, I. (2009), Syuzhetologicheskiye issledovaniya. Moskva. [Силантьев, И. (2009), Сюжетологические исследования. Москва.] Google Scholar
Sil’man, T. (1977), Zametki o lirike. Leningrad. [Сильман, Т. (1977), Заметки о лирике. Ленин¬град.] Google Scholar
Vinogradov, V. (1936), Stil’ “Pikovoy damy”, [in:] Pushkin: Vremennik Pushkinskoy komissii, vyp. 2. Moskva | Leningrad, 74-147. [Виноградов, В. (1936), Стиль «Пиковой дамы», [in:] Пушкин: Временник Пушкинской комиссии, вып. 2. Москва | Ленинград, 74-147.] Google Scholar
Yokoyama, O. (2005), Kognitivnaya model’ diskursa i russkiy poryadok slov. Moskva. [Йокояма, О. (2005), Когнитивная модель дискурса и русский порядок слов. Москва.] Google Scholar
Zel’dovich, G. (2021), Diskursivnaya perspektiva v liricheskoy poezii: Opyt zhanrovoy grammatiki. Warszawa. [Зельдович, Г. (2021), Дискурсивная перспектива в лирической поэзии: Опыт жанровой грамматики. Warszawa.] Google Scholar
Warsaw University
